新西兰梅西大学IT代写:模因传播

网络模因作为数字文件在线存在,并且专门通过互联网传播。互联网模因不仅包含图像宏(它们是图像和文本(如“脾气暴躁的猫”模因)的组合,而且还包含照片,视频,GIF和主题标签)。通常,网络模因是幽默,讽刺或讽刺的,这是使它们具有吸引力并鼓励人们传播它们的关键部分。但是幽默并不是模因传播的唯一原因。有些描绘的表演展示了一种技能,例如音乐,舞蹈或身体素质。正如Dawkins定义的模因一样,模因是通过模仿(或复制)在人与人之间传播的,互联网模因也是如此,这些模因被数字复制,然后由在线共享它们的任何人重新传播。尽管像MemeGenerator这样的网站鼓励您相信,但不仅有贴有文字的旧图像都是模因。它们的元素,例如图像或文本,或在视频中执行的动作或在自拍照中描绘的动作,必须被复制并大规模传播,包括创造性的改动,才能成为模因。 新西兰梅西大学IT代写:模因传播 The network memes exist online as digital files and are specifically distributed through the Internet. Internet memes include not only image macros (they are a combination of images and text (such as the "tempered cat" memes), but also photos, videos, GIFs, and hashtags). Often, the network memes are humorous, ironic or ironic, which is a key part of making them attractive and encouraging people to spread them. But humor is not the only reason for meme transmission. Some of the depicted performances show a skill such as music, dance or physical fitness. Like the memes defined by Dawkins, memes are transmitted between people by imitation (or copying), as are Internet memes, which are digitally duplicated and then re-transmitted by anyone who shares them online. Although sites like MemeGenerator encourage you to believe, not only old images with text are memes. Their elements, such as images or text, or actions performed in the video or actions depicted in the selfie, must...
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英国曼彻斯特政治作业代写:自由民主和平

民主和平理论也因未能证明战争与政府类型之间的因果关系,以及无法轻易操纵“民主”和“战争”的定义以证明不存在的趋势而受到批评。 尽管该报告的作者包括了在新民主国家和可疑民主国家之间进行的很小甚至是不流血的战争,但一项2002年的研究认为,民主国家之间发生的战争与非民主国家之间的统计数字一样多。 其他批评家认为,在整个历史中,决定和平或战争的不仅仅是权力的演变,而不仅仅是民主或民主的缺失。 他们特别指出,所谓的“自由民主和平”效应实际上是由于“现实”因素,包括民主政府之间的军事和经济联盟。 英国曼彻斯特政治作业代写:自由民主和平 The theory of democratic peace has also been criticized for failing to prove the causal relationship between war and the type of government, and the inability to easily manipulate the definitions of “democracy” and “war” to prove the non-existence. Although the authors of the report included small or even bloodless wars between new and suspicious democracies, a 2002 study found that war between democracies and non-democratic countries There are as many statistics. Other critics believe that throughout history, it is not just the evolution of power that determines peace or war, not just the absence of democracy or democracy. In particular, they pointed out that the so-called "free democratic peace" effect is actually due to "reality" factors, including military and economic alliances between democratic governments.of��T��\K ...
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英国北安普顿历史论文代写:计算之书

欧洲世界于1182年“重新发现”磁罗盘用于海上使用。尽管欧洲人声称这项发明,但它最初是由中国人在公元200年左右使用的,主要用于算命。中国人在11世纪用磁罗盘进行海上旅行。带扣眼的功能按钮用于固定或关闭衣服,这些按钮于13世纪首次出现在德国。在此之前,按钮是装饰性的而不是功能性的。随着13世纪和14世纪欧洲紧身服装的兴起,纽扣变得普遍。使用按钮作为装饰或装饰的历史可以追溯到公元前2800年左右的印度河流域文明,大约在公元前2000年左右。和古罗马文明。意大利数学家莱昂纳多斐波那契主要通过他在1202年的Liber Abaci(也被称为“计算之书”)中的成分向西方世界介绍了印度 - 阿拉伯语编号系统。他还向欧洲介绍了斐波纳契数列。英国科学家,哲学家和方济各会修士Roger Bacon是第一个详细描述制造火药过程的欧洲人。他的书中的段落,“Opus Majus”和“Opus Tertium”通常被认为是欧洲对含有火药基本成分的混合物的首次描述。人们认为,培根最有可能目睹了至少一次中国鞭炮的示威活动,这可能是在此期间访问蒙古帝国的方济各会获得的。在他的其他想法中,他提出了飞行机器和机动船和马车。 英国北安普顿历史论文代写:计算之书 The European world "rediscovered" the magnetic compass for use at sea in 1182. Although the Europeans claimed the invention, it was originally used by the Chinese in around AD 200 and was mainly used for fortune telling. The Chinese used the magnetic compass to travel at sea in the 11th century. Buttons with buttonholes are used to secure or close clothes, which first appeared in Germany in the 13th century. Prior to this, the buttons were decorative rather than functional. With the rise of European tight clothing in the 13th and 14th centuries, buttons became commonplace. The history of using buttons as decorations or decorations dates back to the Indus Valley civilization around 2800 BC, around 2000 BC. And ancient Roman civilization. The Italian mathematician Leonardo Fibonacci introduced the Indian-Arabic numbering system to the Western world mainly through his composition in Liber Abaci (also known as the "book of computing") in 1202. He also...
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加拿大魁北克论文代写:第一笔纸币

虽然关于中世纪的确切年份存在争议,但大多数消息来源称公元500年至公元1450年。许多历史书籍称这次是黑暗时代,因为它反映了学习和识字的平静,但实际上,在此期间有大量的发明和亮点。这个时期以饥荒,瘟疫,争斗和交战而闻名,也就是十字军东征期间最大的流血时期。教会是西方势不可挡的权力,受过最多教育的人是神职人员。虽然知识和学习受到压制,但中世纪仍然是一个充满发现和创新的时期,特别是在远东地区。许多发明都源于中国文化。以下重点介绍1000至1400年。在1023年,政府发行的第一笔纸币在中国印刷。纸币是一项创新,它取代了民主企业在10世纪初在四川省发行的纸币。当他回到欧洲时,马可波罗写了一篇关于纸币的章节,但是在瑞典开始在1601年开始打印纸币之前,纸币并没有在欧洲起飞。尽管约翰内斯古腾堡通常在大约400年后发明了第一台印刷机,事实上,北宋时期(960-1127)的汉族创新者毕胜(990-1051),给了我们世界上第一台活字印刷技术。他在1045年左右从陶瓷瓷器材料上打印纸质书籍。 加拿大魁北克论文代写:第一笔纸币 Although there is controversy about the exact year of the Middle Ages, most sources are from 500 AD to 1450 AD. Many historical books call this the dark age, because it reflects the calm of learning and literacy, but in fact, there are a lot of inventions and highlights during this period. This period is known for famine, plague, battle and war, which is the biggest bloodshed during the Crusades. The church is an unstoppable power in the West, and the most educated person is a clergyman. Although knowledge and learning are suppressed, the Middle Ages are still a period of discovery and innovation, especially in the Far East. Many inventions are derived from Chinese culture. The following highlights are from 1000 to 1400. In 1023, the first banknote issued by the government was printed in China. Banknotes are an innovation that replaces the banknotes issued by democratic companies in Sichuan in the early 10th century. When he returned to...
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英国利兹大学文学Assignment代写:比较音乐学

该领域目前命名为1950年代,但民族音乐学起源于19世纪后期的“比较音乐学”。与19世纪欧洲人对民族主义的关注联系在一起,比较音乐学作为一个记录世界不同地区不同音乐特征的项目而出现。音乐学领域由奥地利学者Guido Adler于1885年建立,他将历史音乐学和比较音乐学划分为两个独立的分支,而历史音乐学仅关注欧洲古典音乐。早期的比较音乐学家Carl Stumpf于1886年在不列颠哥伦比亚省的一个土著群体上出版了最早的民族志之一。比较音乐学家主要关注记录音乐实践的起源和演变。他们经常拥护达尔文主义的社会观念,并认为非西方社会的音乐比西欧的音乐“简单”,因为西欧认为音乐的复杂性达到了顶点。 英国利兹大学文学Assignment代写:比较音乐学 The field is currently named in the 1950s, but ethnomusicology originated in the "comprehensive musicology" of the late 19th century. In connection with the attention of Europeans in the 19th century to nationalism, comparative musicology emerged as a project to record different musical characteristics in different parts of the world. The field of musicology was founded in 1885 by the Austrian scholar Guido Adler, who divided historical musicology and comparative musicology into two separate branches, while historical musicology focused only on European classical music. Early comparative musicologist Carl Stumpf published one of the earliest ethnographies in an indigenous group in British Columbia in 1886. Comparative musicologists are primarily concerned with the origin and evolution of recorded music practice. They often embrace Darwinian social ideas and believe that non-Western music is “simple” to Western European music because Western Europe believes that the complexity of music has reached its peak.�Y\3 ...
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英国爱丁堡大学文化Essay代写:大师与玛格丽塔

俄语中的“猫”一词是кошка(KOSHka),意为母猫,但除非猫说话者想指定其性别,否则它与任何猫都有关。但是,还有其他几种用俄语说猫的方式。其中一些比较中立,而另一些则具有特定的含义或特征。例如,котяра(kaTYAruh)意味着一只硕大的,饱足的公猫,而кошечка(KOshychka)是一只可爱的母猫。猫在俄罗斯文化中非常重要,并出现在许多俄罗斯艺术品中,包括书籍(例如Behemoth,这是俄罗斯作家米哈伊尔·布尔加科夫(Mikhail Bulgakov)的小说“大师与玛格丽塔”中的巨型猫),电影,歌曲和视觉作品艺术。在俄罗斯,对猫的迷信也很普遍,例如,认为黑猫在您面前横穿马路会带来厄运,或者相信带有三色皮毛的猫会保护房子并带来好运。如果一只猫用爪子清洁脸,许多俄罗斯人会说客人在路上。 英国爱丁堡大学文化Essay代写:大师与玛格丽塔 The word "cat" in Russian is кошка (KOSHka), which means a female cat, but unless the cat speaker wants to specify his gender, it is related to any cat. However, there are several other ways to say cats in Russian. Some of them are more neutral, while others have specific meanings or characteristics. For example, котяра (kaTYAruh) means a huge, full-bodied male cat, while кошечка (KOshychka) is a cute female cat. Cats are very important in Russian culture and appear in many Russian works of art, including books (such as Behemoth, a novel by the Russian writer Mikhail Bulgakov, "Master and Margarita" The giant cat), the art of movies, songs and visual works. In Russia, superstitions about cats are also common. For example, thinking that a black cat crossing the road in front of you will bring bad luck, or that a cat with three-color fur will protect the house and bring good luck. If a cat cleans his...
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英国普利茅斯论文代写:交换信息

民族音乐学家在研究过程中考虑了许多伦理问题,其中大部分与音乐实践的表现不属于“他们自己”有关。民族音乐学家的任务是在其出版物和公开演讲中代表和传播音乐。 可能没有资源或无权代表自己的一群人。 产生准确的陈述是有责任的,但是民族音乐学家也必须意识到,他们永远不能“代表”他们不是成员的团体。 大多数西方民族音乐学家与他们的非西方“信息提供者”或该领域的研究参与者之间通常也存在权力差异。 这种不平等通常是经济上的,有时民族音乐学家会向研究参与者赠送金钱或礼物,以非正式方式交换信息提供者提供给研究者的知识。 英国普利茅斯论文代写:交换信息 Ethnomusicologists have considered many ethical issues in the course of their research, most of which are related to the performance of musical practice not being "they themselves." The mission of ethnomusicologists is to represent and spread music in their publications and public speeches. There may be no resources or a group of people who have no right to represent themselves. It is responsible to produce accurate statements, but ethnomusicologists must also be aware that they can never “represent” groups in which they are not members. There are often power differences between most Western ethnomusicologists and their non-Western “information providers” or research participants in the field. This inequality is usually economic, and sometimes ethnomusicologists give money or gifts to study participants and informally exchange information provided by the information provider to the researcher. ...
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英国谢菲尔德Essay代写:演奏非西方音乐

大多数民族音乐学家也会学习播放,唱歌或跳舞以学习音乐。 这种方法被认为是获得关于音乐实践的专业知识/知识的一种形式。 民族音乐学家Mantle Hood于1960年在UCLA创立了著名的音乐节目,他称之为“双音乐性”,既可以演奏欧洲古典音乐,也可以演奏非西方音乐。 民族音乐学家还通过记录现场笔记并制作音频和视频记录,以各种方式记录音乐创作。 最后是音乐分析和转录。 音乐分析需要对音乐的声音进行详细描述,并且是民族音乐学家和历史音乐学家共同使用的一种方法。 转录是将音乐声音转换为书面符号。 民族音乐学家通常会制作转录本,并将其包括在出版物中,以更好地说明他们的观点。 英国谢菲尔德Essay代写:演奏非西方音乐 Most ethnomusicologists also learn to play, sing or dance to learn music. This approach is considered a form of acquiring expertise/knowledge about music practice. The ethnomusician Mantle Hood founded the famous music program in UCLA in 1960. He called it "double musicality", playing both European classical music and non-Western music. Ethnomusicologists also record music creation in a variety of ways by recording live notes and making audio and video recordings. Finally, music analysis and transcription. Music analysis requires a detailed description of the sound of music and is a method used by ethnomusicologists and historical musicologists. Transcription is the conversion of musical sounds into written symbols. Ethnomusicologists usually produce transcripts and include them in publications to better illustrate their views. ...
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英国伦敦社会学Essay代写:民族志学家

从理论上讲,人类学对该领域的影响最大。 例如,人类学家克利福德·吉尔茨(Clifford Geertz)的“浓厚描述”(thick description)概念是一种很有影响力的方法,这种详细的田野写作方式使读者沉浸在研究人员的经验中并试图捕捉文化现象的背景。 在1980年代和90年代后期,人类学的“自我反省”转向-促使民族志学家反思他们的存在对他们的田野工作的影响,并认识到在与研究参与者进行观察和互动时不可能保持完全的客观性。 -在民族音乐学家中也占有一席之地。 民族音乐学家还借鉴了其他社会科学学科的理论,包括语言学,社会学,文化地理学和后结构主义理论,特别是米歇尔·福柯的著作。 英国伦敦社会学Essay代写:民族志学家 In theory, anthropology has the greatest impact on the field. For example, the anthropologist Clifford Geertz's "thick description" concept is an influential approach, and this detailed field writing approach immerses readers in the researcher's experience. And trying to capture the background of cultural phenomena. In the 1980s and the late 1990s, anthropological “self-reflection” turned – urging ethnographers to reflect on the impact of their existence on their fieldwork and recognizing that it is impossible to remain completely observable and interactive with research participants. Objectivity. - Also has a place among ethnomusicologists. Ethnomusicologists also draw on theories of other social science disciplines, including linguistics, sociology, cultural geography, and poststructuralism, especially the work of Michel Foucault.w�b;A�� ...
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英国格拉斯哥大学音乐史代写:非西方音乐

在20世纪后期,人们不再研究仅是“传统”的非西方音乐,而这种音乐被认为与西方接触是“不受污染的”。大众传播的当代流行音乐制作形式(说唱,萨尔萨舞,摇滚,非洲裔流行音乐)已成为重要的研究对象,而爪哇歌美lan,印度斯坦尼古典音乐和西非鼓乐等经过深入研究的传统也是如此。民族音乐学家也将注意力转向与音乐创作相交的更多当代问题,例如全球化,移民,技术/媒体和社会冲突。民族音乐学已在高等院校中取得重大进展,现已建立了数十个研究生课程,许多主要大学的民族音乐学家都在担任教师。民族音乐学认为,音乐可以为更广泛的文化或人群提供有意义的见解。另一个基本概念是文化相对主义,这种观念认为没有一种文化/音乐天生具有比另一种更有价值或更好的观念。民族音乐学家避免将诸如“好”或“坏”之类的价值判断分配给音乐实践。 英国格拉斯哥大学音乐史代写:非西方音乐 In the late 20th century, people no longer studied non-Western music that was only “traditional”, and this music was considered to be “unpolluted” in contact with the West. Massive contemporary pop music production forms (rap, salsa, rock, African-American pop music) have become important research objects, and the traditions of Javanese songs, Indian Stanley classical music and West African drums are also deeply studied. in this way. Ethnomusicists have also turned their attention to more contemporary issues that intersect with music creation, such as globalization, immigration, technology/media and social conflict. Ethnomusicology has made significant progress in higher education institutions, and dozens of postgraduate courses have been established, and ethnomusicologists at many major universities are serving as teachers. Ethnomusicology believes that music can provide meaningful insights for a wider range of cultures or people. Another basic concept is cultural relativism, which holds that no culture/music is inherently more valuable or better than another. Ethnomusicologists avoid assigning value judgments such as "good" or...
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