1983年,克莱门特与诗人艾伦金斯伯格开始他的第一个项目。他们的三个合作作品之一是White Shroud一书,由Francesco Clemente制作插图。在20世纪90年代,克莱门特与诗人罗伯特克里利合作编写了一系列书籍。另一个合作项目是克莱门特2008年与纽约大都会歌剧院的合作。他首先与着名的歌剧公司合作,为Philip Glass歌剧Satyagraha创作了一面大旗。今年晚些时候,克莱门特创作了一系列名为The Sopranos的画作:大都会歌剧院2008-2009季节中的女主角肖像。它们是在为期四个月的时间内创作出来的,并以歌手的角色为主角。弗朗西斯科·克莱门特(Francesco Clemente)于1997年开始与电影业合作,当时他作为Good Will Hunting的催眠师出现了客串。 1998年,克莱门特为导演阿方索·卡隆(Alfonso Cuaron)改编查尔斯·狄更斯(Charles Dickens)的经典“远大期望”(Great Expectations)创作了约200幅画作。 2016年,克莱门特出演了一部由独立作家,导演和演员亚当·格林拍摄的电影,名为亚当·格林的阿拉丁。在阿拉伯之夜的故事改编中,阿拉丁的功能失调的家庭生活在一个由腐败的苏丹统治的普通美国城市。弗朗西斯科克莱门特出现了精灵,穆斯塔法。克莱门特经常是电视采访的主题。其中最着名的是2008年与查理·罗斯(Charlie Rose)一起对其自己的PBS秀进行的长时间采访。

英国柴郡传媒Essay代写:远大期望

In 1983, Clement and the poet Alan Ginsberg started his first project. One of their three collaborative works is White Shroud, an illustration by Francesco Clemente. In the 1990s, Clement wrote a series of books in collaboration with the poet Robert Creeley. Another collaborative project is Clement’s 2008 collaboration with the Metropolitan Opera in New York. He first worked with the famous opera company to create a banner for the Philip Glass opera Satyagraha. Later this year, Clement created a series of paintings called The Sopranos: the portrait of the heroine in the 2008-2009 season of the Metropolitan Opera. They were created in a four-month period and featured the role of a singer. Francesco Clemente began working with the film industry in 1997 when he appeared as a hypnotist for Good Will Hunting. In 1998, Clement created about 200 paintings for the classic “Great Expectations” by Charles Alckens, directed by Alfonso Cuaron. In 2016, Clemente starred in a film by independent writer, director and actor Adam Green, named Aladdin of Adam Green. In the adaptation of the Arabian Night story, Aladdin’s dysfunctional family lives in an ordinary American city ruled by corrupt Sudan. Francisco Clement appeared the Elf, Mustafa. Clement is often the subject of a TV interview. The most famous of these was a long interview with Charlie Rose in 2008 on his own PBS show.

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