大多数民族音乐学家也会学习播放,唱歌或跳舞以学习音乐。 这种方法被认为是获得关于音乐实践的专业知识/知识的一种形式。 民族音乐学家Mantle Hood于1960年在UCLA创立了著名的音乐节目,他称之为“双音乐性”,既可以演奏欧洲古典音乐,也可以演奏非西方音乐。 民族音乐学家还通过记录现场笔记并制作音频和视频记录,以各种方式记录音乐创作。 最后是音乐分析和转录。 音乐分析需要对音乐的声音进行详细描述,并且是民族音乐学家和历史音乐学家共同使用的一种方法。 转录是将音乐声音转换为书面符号。 民族音乐学家通常会制作转录本,并将其包括在出版物中,以更好地说明他们的观点。

英国谢菲尔德Essay代写:演奏非西方音乐

Most ethnomusicologists also learn to play, sing or dance to learn music. This approach is considered a form of acquiring expertise/knowledge about music practice. The ethnomusician Mantle Hood founded the famous music program in UCLA in 1960. He called it “double musicality”, playing both European classical music and non-Western music. Ethnomusicologists also record music creation in a variety of ways by recording live notes and making audio and video recordings. Finally, music analysis and transcription. Music analysis requires a detailed description of the sound of music and is a method used by ethnomusicologists and historical musicologists. Transcription is the conversion of musical sounds into written symbols. Ethnomusicologists usually produce transcripts and include them in publications to better illustrate their views.

发表评论

电子邮件地址不会被公开。 必填项已用*标注